Traditionalist Marie Kemplay explores why you should cook from the heart not from the telly…

The nadir of festive Christmas cooking programmes is Nigella’s Christmas Kitchen, the premise that this programme is somehow meant to make Christmas easier and less stressful is pretty amusing. Anybody who measures up their cooking experience to Nigella simultaneously drinking lethal festive concoctions, entertaining 10 guests, talking to a camera oh and roasting a whole dinner is probably going to be disappointed.

I was always of the mistaken belief that Christmas was the one time of year you could stick to the time old favourite of a good old fashioned roast, but watch this programme and you’re left with the impression that unless your larder (not that I even have one of those) is packed with homemade mince pies and lamb tagines and your friends will all be receiving jars of beetroot and ginger chutney, well quite frankly your attempts at Christmas are just not good enough, Nigella is Christmas, apparently. Her tyranny even continues after the big day, she says and I quote ‘You haven’t had a leftover turkey sandwich worth its name until you’ve had my chilli jelly with it’. I beg to differ, come boxing day I will be having many a leftover turkey sandwich and a bit of cranberry is always good enough for me.

This programme is clearly not aimed at people like me who have no ambition to make Michelin star roast potatoes, it’s for people who have enough time to do a bit extra and enjoy laughing along with Nigella as her little jokes demonstrate how much like the rest of us she is, oh ho ho Nigella I can’t believe you used canned lychees, you sly old dog.

I may be archaic in my interpretation of Christmas but I always thought it was a family affair, not so much about overly fancy food dishes as a simple yet hugely satisfying meal that brings everybody to the table. I personally can’t think of anything worse than going around to my aunt and uncles’ and finding Nigella’s fare on the table. You can see it now, thousands of families up and down the country eating the same gentrified roast, no individuality or sense of tradition. I really rather enjoy my family’s Christmas dinner, with its own little quirks that have developed over the years, just simple things like sausages cooked inside the turkey. I would be loath to throw out years of successful roasting to fit in with Christmas 2008 cooking fashions, because we all know come Christmas 2009 Nigella will have wearied of christmas pudding bonbons and the new fad will be pomegranate and chilli salmon, or roast quail topped with chocolate angels.

I don’t begrudge Nigella, I’ll even admit to using a couple of her recipes what I dislike is the self satisfied tone, ‘oh it’s a moment’s work’; maybe for you Nigella, but for the rest of us it’s hours in the supermarket searching for obscure ingredients like buttermilk and crème de lychee or cider vinegar, then there’s the piles of washing up that somehow appears from producing one ‘simple’ dish.

I’m going to be incredibly bold and say something bordering on the quite frankly unbelievable: you don’t need Nigella to have a good Christmas. And I hate to say something horribly crass, but surely the stress free way to enjoy Christmas is maybe just to buy those mince pies, just a thought?

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Image Credit: CielChen

Tags: Digital TV, News by Marie Kemplay
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In a continuing series on the future of the media, Marie Kemplay looks at the effect the digital age is having on the humble newspaper

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I never thought I would live to see the day that The Independent would move into the offices of the Daily Mail, but it’s happened. I can not think of two more unlikely bedfellows.

When The Independent was launched in 1986 it was intended to have a right-of-centre ethos, but soon became known as a champion of liberal values; a title it might find difficult to defend with ‘middle England’s’ favourite rag just down the corridor. Certainly it would be hard to get away with its famous ‘It is [independent] are you?’ slogan now.

But maybe The Independent’s fate is indicative of newspapers as a whole. Times is‘ard! Circulation figures for all the national daily newspapers are consistently dropping month by month. Only the Guardian and the Financial Times’ circulations increased in November by 0.45% and 0.82% respectively but even then their circulation figures for the year are down on 2007.

And the trouble’s not limited to London, the Glasgow based Herald and Times Group, publishers of the Scottish national daily papers The Herald and The Evening Times, last week announced it was making 250 staff redundant and asking them to reapply for their jobs, indicating all is not well to the north of the border either.

A number of factors are at play here, in cities across the country there are now numerous free sheets to contend with, The Metro, London Lite and thelondonpaper in the capital, MEN lite in Manchester etc. and although the proprietors of these papers claim they are targeting an audience who would not buy a newspaper anyway, it seems like common sense to me that they will encourage the staple market of daily commuters to stop paying as well.

The main issue for newspapers is how to successfully embrace an audience so familiar with the Internet. The Internet, of course, trumps newspapers in two respects; it’s free and news is updated with regularity rather than once or twice daily. Only the Financial Times charges readers to read it online and even they allow you to read 20 articles free each month. Perhaps in the future British newspapers may have to take a nod from across the pond, in America it is common practice for online editions to only give readers a ‘taster’ before demanding they pay for the rest of the article. But then of course we would just be driven into the open arms of the broadcast news websites such as Sky and BBC.

The Internet also embraces a totally different style of writing, quick snippets of information designed for instant digestion, not necessarily the traditional style of newspapers. It’s important for a newspaper’s ‘googleability’ that stories are written in a certain way, with keywords featuring regularly throughout otherwise when people search for a story online they won’t find it. Journalists may be loath to write in this ‘painting by numbers’ way but they will have to if they want to remain well-read and, ultimately, that’s what they care about.

Multimedia has forced newspapers not to be mono-faceted; I recently visited the Daily Telegraph’s Head Office which rather than being a fortress of conservatism like you might expect has TV and radio studios. With the advent of youtube generation, newspapers have been forced to jump off the page and embrace all technology with videos, blogging, pod and vodcasting now the norm, even for the older generation of journalists. I was told at The Daily Telegraph that even journalists in their 60s and 70s have to learn how to use the new technology. Can you imagine it, being a business for 40 years and having to learn a whole new methodology? But in these difficult economic times newspapers like all other business are going to have to learn to give the punters exactly what they want at a decent price or like The Independent they’re going to find themselves in trouble. And with advertising revenues almost certain to drop during this recession they have a tough time ahead.

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Image Credit: Alex Barth

Tags: Digital TV by Marie Kemplay
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Marie Kemplay discusses how ‘the show” will have to go on without its most famous voice

He’s only Wo-gone and done it. Can you believe that after 35 years as the face of The Eurovision Song Contest Terry Wogan has pulled out? To be replaced by our favourite, over-the-top and camp comedian, Graham Norton. You may be thinking he’s the perfect host for the annual showcase of Euro trash, but Wogan was about all that made the contest bearable: bringing British common sense to an evening of nonsense. I’m thinking, miniature cars, Rock monsters, airline crews, the madness goes on…

It was pretty obvious he was leaving when at the end of last year’s contest he signed off with wistful comments like “I have to decide whether I want to do this again. Indeed, western European participants have to decide whether they want to take part from here on in because their prospects are poor.”

Wogan’s departure marks the end of an era when Britain, and other Western European countries could actually win. In recent years there have been very plausible accusations of bloc voting after a series of Eastern European countries have won in succession and Western European countries have been given consistently bad marks. It was less than surprising when Russia took the prize last year after receiving ‘douze points’ from Estonia, Latvia, Lithuania, Ukraine, Belarus and Armenia.

But is there not perhaps just a hint of ’sour grapes’ at work here? Let’s be honest have any UK songs actually deserved to win in say the last five years? Does anybody even remember any UK entries from the past 5 years? Scooch anybody? Andy Abrahams? Daz Sampson? I’m not suggesting there isn’t some serious favouritism going on amongst our ex-Soviet counterparts but you can’t blame them for how utterly forgettable and just downright bad our entries have been.

But it’s not just us Brits, I think the contest as a whole is suffering, these are no longer the glory days of ‘Waterloo’ and ‘Save all you kisses for me’. I have no idea what last year’s winning song, ‘I Believe’ by Dima Bilan sounds like, or Molitva by Marija Šerifović from 2007. Perhaps Andrew Lloyd Webber, who is writing the UK’s song this year can inject some of his special brand of musical magic and save us from the embarrassment of ‘nil points, however I don’t hold out much hope and if I’m honest I don’t care too much either.

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Tags: Digital TV by Marie Kemplay
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In the beginning man created the BBC and man saw what he had made and it was good. But quarter of a century later and the BBC is no longer alone on our television screens. Marie Kemplay asks in the digital age what is the future for the original analogue channel?

Turn on your TV and you can choose from hundreds of channels, and although at any given time about 70% are showing Top Gear re-runs or home decoration programmes we, needless to say, still have a lot more choice than when we had just five channels. In this environment the broadcaster which was founded with the duty “to inform, to educate and to entertain” seems to be losing its way.

In the past few weeks the Ross/Brand fiasco seems to have highlighted just how vulnerable the BBC’s position is. Being attacked from all directions from an older generation for caring too much about being ‘edgy’ and not catering to let’s say more ‘refined’ tastes and the younger generation criticising them for caving in to pressure from people without a sense of humour. MPs have also been having a field day in Parliament over this. For example just listen to Liberal Democrat MP Phil Woolas: “I think once again the BBC have demonstrated that it is one law for its highly paid stars and one law for everyone else. When we are forking out millions of pounds of taxpayers’ money on presenters, the least we can expect is a level of propriety commensurate with what the public considers decent.”

One of the most contentious issues is of course Ross’ hugely inflated salary of £1.8m which literally as Ross - so frequently loved to point out – came at the price of 1,800 journalists, who were made redundant last year. It begged the question if providing edgy entertainment is seemingly more important than news programmes how is the BBC still able to justify its public service funding?

It seems in its quest to be the ‘everyman’ of British television, the BBC has lost touch with exactly who its target audience should be. In the digital age broadcasters such as Sky have a very distinct advantage in that it does not have a prescribed public service remit and is freer to court the rapidly changing tastes and habits of its viewers.

Both Sky and the BBC are currently foraying into High Definition television. The obvious benefit with the BBC is that if you have all the right HD equipment you have to pay no extra charge. However with Sky you must pay an extra subscription but you also get far more HD channels for your money such as sky films, Sky Sports and Discovery Channel as well as BBC HD.

Another point is that in recent years people have increasingly wanted to watch television more flexibly. It is now completely the normal to watch programmes on the computer rather than television screen. Recognising this, last year the BBC launched iplayer, a hugely successful online viewing platform. Sky has recently announced it will follow suit and although the details are not yet confirmed Sky have said it will show favourite programmes from its favourite channels. Sky Player will be available to everybody regardless of whether you currently subscribe to Sky or not, and although you will have to pay a fee, what most people are quick to forget is the BBC is not free, currently costing £139 a year, somehow I doubt that Sky Player will cost that much.

It seems likely in the future the BBC will be forced to stick to a more ‘public service’ role, i.e focus more on educational programming such as news and documentaries if it is to retain its license fee funding in a world where there are hundreds of channels providing entertainment. However I hope it is not forced to abandon entertainment altogether where would we have been without the likes of Fawlty Towers, Little Britain and Yes Minister, it will be black day indeed when the BBC is forced to abandon comedy. As for Sky I think it will continue to do what it does best, provide great sports coverage, great movies and the next generation of quality American television a la ’24’ and ‘Lost’ – and to boot probably all of the above in glorious High Definition quality.

Something to bear in mind though is what will happen if Channel 4 gets its wish and is given Public Service funding, now that would completely change the landscape of broadcasting in the UK.

Tags: BBC, Digital TV, Sky by Marie Kemplay
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